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- Pfordresher, P. Q., Honda, C., Greenspon, E. B., Chow, K. (2021). Generalization of novel sensorimotor associations among pianists and non-pianists: More evidence that musical training effects are constrained. Psychological Research, 85, 1932-1942.
- Pfordresher, P. Q. (2019). Sound and action in music performance. San Diego, CA: Academic Press.
- Pfordresher, P. Q., & Chow, K. (2019). A cost of musical training? Sensorimotor flexibility in musical sequence learning. Psychonomic Bulletin & Review, 26, 967-973.
- Pfordresher, P. Q., & Kobrina, A. (2017). Sensitivity to meter in auditory feedback during music performance. Psychomusicology: Music, Mind, and Brain, 27, 54-62.
- Jebb, A. T., & Pfordresher, P. Q. (2016). Exploring perception-action relations in music production: The asymmetric effect of tonal class. Journal of Experimental Psychology: Human Perception and Performance, 42, 658-670.
- Zamm, A., Palmer, C., & Pfordresher, P. Q. (2015). Temporal coordination in joint music performance: Effects of endogenous rhythms and auditory feedback. Experimental Brain Research, 233, 607-615.
- Pruitt, T. A., & Pfordresher, P. Q. (2015). The role of auditory feedback in speech and song. Journal of Experimental Psychology: Human Perception and Performance, 41, 152-166.
- Pfordresher, P. Q. (2014). “Deafness” effects in detecting alterations to auditory feedback during sequence production. Psychological Research, 78, 96-112.
- Pfordresher, P. Q., & Beasley, R. T. E. (2014). Making and monitoring errors based on altered auditory feedback. Frontiers in Psychology, 5, 914.
- Pfordresher, P. Q., Mantell, J. T., Brown, S., Zivadinov, R., & Cox, J. L. (2014). Brain responses to altered auditory feedback during musical keyboard performance: An fMRI study. Brain Research, 1556, 28-37.
- Kulpa, J. D., & Pfordresher, P. Q. (2013). Effects of delayed auditory and visual feedback on sequence production. Experimental Brain Research, 224, 69-77.
- Couchman, J. J., Beasley, R., & Pfordresher, P. Q., (2012). The experience of agency in sequence production with altered auditory feedback. Consciousness and Cognition, 21, 186-203.
- Pfordresher, P. Q. (2012). Musical training and the role of auditory feedback during performance. Annals of the New York Academy of Sciences, 1252, 171-176.
- Pfordresher, P. Q., & Mantell, J. T. (2012). Effects of altered auditory feedback across effector systems: Production of melodies by keyboard and singing. Acta Psychologica, 139, 166-177.
- Pfordresher, P. Q., & Dalla Bella, S. (2011). Delayed auditory feedback and movement. Journal of Experimental Psychology: Human Perception and Performance, 37, 566-579.
- Pfordresher, P. Q., Keller, P. E., Koch, I., Palmer, C.,& Yildirim, E. (2011). Activation of learned action sequences by auditory feedback. Psychonomic Bulletin & Review, 18, 544-549.
- Pfordresher, P. Q., & Kulpa, J. (2011). The dynamics of disruption from delayed auditory feedback: Further evidence for a dissociation of sequencing and timing. Journal of Experimental Psychology: Human Perception and Performance, 37, 949-967.
- Pfordresher, P. Q., & Varco, T. (2010). Altered auditory feedback effects on keyboard and singing performance. In S. M. Demorest, S. J. Morrison, & P. S. Campbell (Eds.) Proceedings of the 11th International Conference on Music Perception and Cognition (pp. 474-477). University of Washington: Seattle, Washington.
- Pfordresher, P.Q. (2008). Auditory feedback in music performance: The role of transition-based similarity. Journal of Experimental Psychology: Human Perception and Performance, 34, 708-725.
- Pfordresher, P.Q. & Benitez, B. (2007). Temporal coordination between actions and sound during sequence production. Human Movement Science, 26, 742-756.
- Pfordresher, P.Q. (2006). Coordination of perception and action in music performance. Advances in Cognitive Psychology, 2, 183-198. [www.ac-psych.org]
- Pfordresher, P.Q. & Palmer C. (2006). Effects of hearing the past, present, or future during music performance. Perception & Psychophysics, 68, 362-376.
- Pfordresher, P.Q. (2005). Auditory feedback in music performance: The role of melodic structure and musical skill. Journal of Experimental Psychology: Human Perception and Performance, 31, 1331-1345.
- Pfordresher, P.Q. (2004). Can altered auditory information affect planning? Evidence from music performance. Stammering Research, 1, 51-53.
- Pfordresher, P.Q. (2003b). Auditory feedback in music performance: Evidence for a dissociation of sequencing and timing. Journal of Experimental Psychology: Human Perception and Performance, 29, 949-964.
- Pfordresher, P.Q. & Palmer, C. (2002). Effects of delayed auditory feedback on timing of music performance. Psychological Research, 66, 71-79.